MAXI COHEN
Born: Vineland, New Jersey, Lives: New York City
Education: New York University, BA.
MA.
Selected Photographic
Exhibitions:
2006
Scope
Hamptons , Hamptons,
NY “Ladies
Rooms” and “Water”
2004
Maximus,
New York, NY “Ladies Rooms”
Red Box
Gallery, Barjols, France “ Season 1”
Carl Berg
Gallery, Los Angeles, CA “Ultra Chrome”
2003
Daniel
Azoulay Gallery, Miami, FL “Miami Basel”
First
Person Festival, Reading Terminal, Philadelphia, PA
“Ladies
Rooms Around the World” (solo show)
The Work
Space, Soho, New York “Celestial”
Lyonswier
Gallery, Chelsea, New York “Trespassers”
2002
The Work
Space, Soho, New York “Waves”
1998
Sandroni Rey Gallery, Venice,
California “TV Nightscapes”
1990
The New Museum, New York “From the
Receiver to
Remote Control: The TV Set”
1986
Queens Museum, Flushing Meadows,
Corona Park, New Jersey “
Television’s Impact on Contemporary Art”
1984
The Kitchen, New York, NY; “TV
Landscapes”
1981
OK Harris Gallery, New York, NY “TV
Landscape”
Museum Collections:
Museum of
Modern Art, New York, NY
Metropolitan
Museum of Art, New York
Museum of
Fine Arts Houston
Israel
Museum, Jerusalem
Selected Film and video works
(screenings):
“Joe and
Maxi” (Restored 35mm print, Women’s Film Preservation Fund, Collection MoMA
Film Archive) Museum of Modern Art, New York, NY 2007
“Anger”; screened: Museum of Modern Art, New
York, 2002; Whitney Museum of American Art, New York, 2000; International
Center for Photography, New York, 1989 (PRIZES: Montreal Festival of New
Film, 1st
Prize, Tokyo Film Festival, 1st prize, San Francisco Festival Golden Gate Award,
1987) Nylon Film
Festival, Switzerland, 1986
“Cape May: End of Season”, Museum of
Modern Art, New York 2000
“Happy
Birthday America”, screened: Museum of Modern Art, New York 2000; Museum of
Modern Art, New York, 1978
“How
Much is Really True” screened: Berlin Film Festival, 1990, Rotterdam Film
Festival, Videonalle, Bonn Germany, 1990, Museum of Modern Art, New York,
1992, Virginia Museum of Fine Arts, 1992, I.C.A. Boston, 1992, Smithsonian Institution,
Hirshhorn Museum, 1992 (PRIZES: Chicago International Film Festival, 1991,
Silver Bear, 1991, Black Maria Film Festival, 1991, Thomas Edison Media Arts
Award, 1992)
“My
Bubi, My Zada”, screened: West Virginia Art Museum, 1991; Jewish Museum, New
York, 1982, The Kitchen, 1975
“Nature
Morte Aux Fruits”, Boston Museum of Fine Art, 1991; Metropolitan Museum of
Art (permanent collection), screened 1990
“The
Edge of Life”, screened: Museum of Modern Art, New York, 1990;Showcase,
1985, Video Bienalle, Vienna, Italy, 1985, The Kitchen, New York, 1984, San
Francisco Women’s Video Art, (PRIZES: American Film Festival, red ribbon,
1985, Monitor Awards, 1985)
“Intimate
Interviews: Sex in Less than Two Minutes”, screened: Global Village
Documentary Film and Video Festival, New York, 1985
“Ozone
Stories”, screened: Venice Bienalle, 1984, (PRIZES: American Film
Festival red ribbon 1984, Video Cultural International 1985, Utah Film and
Video Festival, 1st prize)
“Boney”,
screened: LACE, Los Angeles, 1984
“Paper
Roses”, screened: Museum of Modern Art, New York, 1981
“A-Lone Some, I Make All the Noise”, screened: Museum of Modern Art,
1977, Memorial Gallery, Rochester,
1977 Belgian Television, 1978
“Five
Day Bicycle Race”, screened: Whitney Museum of American Art, 1977
Feature
Films:
“South
Central Los Angeles: Inside Voices”, ZDF, screened: German TV, 1994, ARTE
French TV, 1994, Huairou Cinema, Beijing, 1995, Moscow Film Festival, 1995, SBS
Australia, 1996, San Francisco Film Festival, 1996, Showtime, 1996 (PRIZES:
New Orleans Urban Film and Video Festival, Best Documentary, 1998, National
Education Media Network, Silver Apple Award, 1996, San Francisco International
Film Festival, Certificate of Merit, 1998)
“Seven
Women, Seven Sins”, screened: Walker Art Center ,Minneapolis, 1986, Nu Art
Theater, Los Angeles, 1987, Toronto Film Festival, 1988, North Carolina Museum
of Art, 1989
“Joe And
Maxi”, screened: Greenwich Theater, New York, 1980, Berlin Film Festival,
1978, Nu Art Theater, Los Angeles,
1978, German Television, Israeli Television, 1982, University of Nebraska, Sheldon Art
Gallery, 1983 (PRIZES: American Film Festival, Blue ribbon, John Muir Film
Festival, 1st prize)
Artist in Residence:
1998 Edward Albee Foundation
1995 MacDowell Artists Colony
Selected
Grants:
2005
Eastman
Kodak Company
2004
Women in
Film Preservation Fund
2004
Karen-Weiss
Foundation
1993
Rockefeller
Foundation
California
Council for the Humanities
Ms.
Foundation for Education
1991
New York Foundation for the Arts
1989
Art Matters
New York
State Council on the Arts
1987
New York State Council on the Arts
1985
New Jersey State Council on the Arts
Fellowship
New York Foundation for the Arts
fellowship
1982
American Film Institute for Video
Production
1980
N.E.A. Fellowship for writing
N.E.A. Video Fellowship
Creative
Artists Public Service program for video
1977
N.E.A. Video Fellowship
Jerome
Foundation
1976
N.E.A. Individual Artists Grant
1975
Joint Foundation Support, grant for
film
Books:
Cohen,
Maxi. “The Art of the Pendulum”, Andrews McMeel Publishing, 2003
Cohen, Maxi.”
Women of Courage”, New World Library, Spring, 1999Seger, Linda. “When Women
Call the Shots”, Fitzhenry & Whiteside Ltd., 1996
Pierson,
John. “Spike, Mike, Slackers & Dykes”, The New York Times Company, 1994
Selected Articles:
LA Times Sunday
Magazine, Los Angeles, “Broadcast Hues”, Novemeber, 1998
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